![]() More authors, all names should be given in the first citation: (Fraser,īrown and Smith 1989). Should be given in parentheses in standard author-date form in the body of Note indicators in the text should follow punctuation. Should be kept to a minimum and presented using Word footnote not endnoteįacility. Maxima for the total duration of movie examples. Maxima for the total duration of sound examples. Permission for images, sound and movie examples. Please note that it is each author’s sole responsibility to gain copyright Low resolution illustrations may be rejected by the editor. Normal reproduction of halftones for printing is at 300dpi and line artworkĪt 1200dpi. Uses only black and white reproductions and all colour images should beĬonverted to black and white before submission to check that all featuresĪre present when colour is not used. Colour files should not be submitted the journal The text and labelled similarly JonesF3.eps, etc. Should be submitted as individual eps or tif files in separate files from TheĪuthor affiliation, full postal address and email address to which proofs Only final material should be submitted no draft material is accepted. Where Mac files are submitted these should be. The journal initials OS and 6 characters of the author surname Manuscripts should be submitted electronically through Organised Sound's ScholarOne site here. Information concerning sound and movie examples below, including maximumįor information on our open access policies, compliance with major findingīodies, and guidelines on depositing your manuscript in an institutional Please contact the editor if you have sound or movie examples. Papers should not normally exceed 7,000 words and should be preceded by an Papers should be submitted through Organised Sound's ScholarOne site here. Represents an original contribution not previously published and that it is Submission of a paper to Organised Sound is held to imply that it Multimedia material for inclusion in the DVD that will accompany the Contributors of acceptedĪrticles are encouraged to submit accompanying sound examples and other Researchers will be particularly encouraged. ![]() To share the results of their research as they affect musical issues. It is a forum for music scholars,Ĭomposers, performers, computer specialists, mathematicians and engineers Technology in fields such as multimedia, performance art, sound sculptureĪnd electroacoustic composition. Is a fully peer-reviewed scholarly journal focusing on the rapidlyĭeveloping methods and issues arising from the use of contemporary
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