Sample skin in a clean area as close as possible to the blemish you are retouching. Select your new empty layer, zoom in, and set your brush size just slightly larger than the blemish. A softer brush tends to result in an artificial softness to the touch-ups. With all three tools, I like to start with a small brush at 50% to 75% hardness. When using the Clone Stamp, you will want to ensure that the tool option for Sample is set to Current & Below. When using the Healing Brushes, be sure that the tool option Sample All Layers is checked. I will sometimes use the Spot Healing Brush as well, if the area I’m working on is fairly uniform. To do your touch-ups, you will switch between the Clone Stamp and the Healing Brush. To use a touch-up layer, start with your background layer in Photoshop and add an empty layer on top. Limit touch-up layers to retouching noticeable problems that are surrounded by unblemished skin. It is also not the right technique for dealing with multiple tiny blemishes. I also use a touch-up layer to retouch makeup when it’s needed for example, to clean up lipstick that’s bled into the surrounding skin, or to fill in gaps in eyeliner to get a nice, clean line.Ī touch-up layer does not work well for retouching patches of skin, blotchy skin, or hot spots. It also works well to remove flakes of makeup, lint or dust, as well as tiny strands of hair or, indeed, any rogue hair popping out where it's not wanted. Using a touch-up layer is a simple way to deal with blemishes, marks, and spots. In retouching, a simple process will often achieve what you need, and this holds true when retouching skin. If you need help with using the Photoshop tools, have a look at our four-part series, The Secrets of Photoshop’s Retouching Tools. Photoshop Retouching for Beginners | FREE COURSEīecause we’ll be comparing three techniques, the Photoshop instructions in this tutorial are relatively brief.
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